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"From Ghetto to Zion," commonly known as the Congressional Postcard, was chosen at the Fifth Zionist Congress in 1901 to represent the movement's message. Here, a herald adorned with the Star of David inspires the persecuted ghetto Jew entwined in barbed wire towards a life of self-determination in the ancient homeland, which is symbolized by the farmer cultivating the soil.

The Hebrew inscription reads, “Let our eyes witness Your loving return to Zion,” which inverts the words from the Amidah prayer, waiting not of God’s return but of “yours.”



ABOUT THE EXHIBIT

The I. Edward Kiev Judaica Collection is proud to present original artwork from the Jewish artistic Renaissance. Featured artists Hermann Struck and E.M. Lilien represent the wide spectrum of Jewish life and art in the post-emancipation era. The flood of creative Jewish expression began as Jews gained acceptance in modern, secular society and no longer strictly interpreted the second commandment prohibition against graven images. 

While Jewish artists found their way into the forefront of artistic expression in conventional European society, the nascent Zionist movement provided an inspiration and forum for their creative voices. Struck and Lilien contributed works to an art exhibition held at the Fifth Zionist Congress in 1901, which helped establish Jewish visual art as a legitimate component of the Jewish cultural resurgence.

Jewish art was enhanced by the proliferation of printed media, especially in the form of book art and postcards during the 19th and 20th centuries. Positive depictions of Jews as a people in charge of their own destiny began to appear while innovative formats and revived traditions, such as lithography and etching, added to this development. 

The talents and vision of Hermann Struck and E. M. Lilien embody these new advances and inspired an entire generation of Jewish graphic artists in Central and Eastern Europe.


About the exhibit
I. Edward Kiev Judaica Collection
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